 | ||
 | | |
| |||||||||||
| | |
| ||
| | |
 | ||
| | |
 | ||
| | |
Copies of The Scribe are available as back numbers at £3.75 each including postage to UK, Europe and overseas. Volume mailing is eligible for a discount: 5+ copies per mailing £3.00 each, 10+ copies per mailing £2.50 each. Credit Cards - Visa, Mastercard and Access - are accepted. Please send your name, card number, date of expiry and your address so we can forward the copies to you. Cheques should be in UK sterling (drawn on a London Bank, overseas members please) and made payable to the Society of Scribes and Illuminators. Please send your order from Sales
1 Cover Illustration: David Kindersley: Capitals, italics and numerals cut and painted off-white a workshop sample 1972. 2 Illustration: Sonnet by William Shakespeare, Brenda Berman 3 Chairman’s Notes: Pat Russell 4 The Healing Arts: Ann Hechle. Illustrated 5 John Howard Benson and the Stevens Shop:John Nash Illustrated 6 Newly Elected Fellows: Derek Benney. Illustrated, Lindsay Castell, Circles of gold. Angela Hickey, Dorn Farcai, Sally Teague: Birds in Our Garden. David Wood: This precious earth 7 The Age of Innocence: Exhibition reviewed by Viva Lloyd. Illustrated: Hazel Beney, The Little Bird. Celia Kilner, Quotation from Rupert Brooke. Ros Pritchard. Twinkle, twinkle little star. Mary White, Golden Weathercock 8 Book Reviews: ABC.XYZapf Fifty Years in Alphabet Design. Edited by John Dreyfus and Knut Erichson, reviewer John Nash. 9 Letter: from David Howells on Daisy Alcock’s RAF Royal Air Force ‘Roll of Honour’ in Westminster Abbey
1 Cover illustration: Timothy Noad, special design for this 70th anniversary edition 2 Illustration: Fine Words Fine Books. Denis Brown, Winter from Panels on the Four Seasons 3. Chairman’s Notes: Pat Russell 4 The Anniversary Cover: Timothy Noad explains the different elements incorporated in his design and his working methods 5 A Mosaic of Events and Memories celebrating seventy years of the SSI: Heather Child. Illustrated 6 The Hand of the Master: article by Evelyn Waugh first published (in the Spectator) July 1959 reviewing Priscilla Johnston’s book Edward Johnston 7 Illustration, Fine Words Fine Books: Ewan Clayton poem by Islamic mystic Jalluddin Rumi 1207-1273. 8 Reminiscences: 9 Copyright and the Calligrapher: Geoffrey Adams 10 Book Reviews: Dot the i; 20th Century German Lettering, Spring 1991. Edited by Brody Neuenschwander Reviewer. Tom Perkins. The Calligrapher’s Dictionary, Rose Folsom. Reviewer Margaret Daubney 11 Letter: from C W Rosiek warning of danger of lead poisoning when preparing gesso
1 Cover Illustration: Hans-Joachim Burgert. An example of Akim Cursive 2 Illustration: Fine Words Fine Books. Hermann Zapf: Zapf Renaissance Italic and Swashes. Type face for digital composition 3 Chairman’s Notes: Pat Russell 4 Fine Words Fine Books: some thoughts on the Exhibition from Hermann Zapf/a review of the Exhibition by Stephen Raw 5 Illustrations: Diana Arnaratico, Alles ist Mehr by Paul Celan: Audrey Leckie, Crystal decanter engraved ‘Families, Friends and Favourites’: Stephen Raw, Book Jacket, Slavic Excursions by Donald Davie: Lindsay Castell, Seen in May. Words by the scribe: Richard Middleton, Intermediate Technology Associates book. Binding designed by the scribe, with woodwork by Christopher Palfre: Hans-Joachim Burgert, Summer leaves the trees by Johannes Thurnau: Christine Hartmann, (anticum anticorum.) 6 Try to write the Akim Cursive: Hans-Joachim Burgert,-a letter from Berlin Illustrated. 7 Lay Members’ Exhibition 1991: Six exhibitors (Nicholas Caulkin, Jenni Harrison, Anna Ronchi, Fiona Greenwood, Reja Koene, Gillian Hazeldine) describe the working process behind their finished submissions. Illustrated 8 History is Bunk by Stan Knight. Illustrated 9 Book Reviews: Medieval Beasts by Ann Payne Reviewer Jane Dobson Calligraphy: from Beginner to Expert by Caroline Young with calligraphy by Susan Hufton, reviewer Susanne Haines Creative Lettering and Calligraphy by Peter Halliday. Reviewer Sally Teague. The Art of Illuminated Lettering and Heraldry by Barbara Bundy. Reviewer Derek Benney. Calligraphy: Inspiration, Innovation, Communication by David Harris. Reviewer Rod Edwards. Celtic Design Knotwork and Celtic Design: a beginner’s Manual by Aidan Meechan. Reviewer Alun Briggs 10 Letters: From Revd George D Bennett clarifying a point in the article Copyright and the Calligrapher (Scribe Summer 1991, No52): and from Peter Hillier Bsc CPA clarifying a point in the same article. 11 Illustration: Fine Words Fine Books, Claude F Dieterich, Viceregal Peruvian Art, cover for exhibition catalogue.
1 Cover Illustration: The Barberini Gospels: Opening page of the Gospel of St John 2 Illustration: New Year Greetings, Werner Schneider 3 Chairman’s Notes:John Nash 4 Ann Camp:Tribute to a Teacher. Reminiscences by some former students. Illustrated by Lindsay Castell, A vision reported by FG Wickes in the Inner World of Man. Denis Brown The Great Book of Ireland. Sue Hufton, Easter Hymn. Richard Middleton, Shakespeare’s Sonnet 121. John Nash, Moroccan Quotation. John Prestianni, Quotation by Charles Sawyer. 5 Newly Elected Fellows: introduced by John Nash Illustrated: Hazel Dolby. The Golden journey to Samarkand by James Elroy Flecker. Anna Ravenscroft, Double page spread from book in progress. Anna Ravenscroft, Untitled. Hazel Dolby, Bowl with quotation from Branckes Herball 1525. 6 Letter Exchange under Review: article by Tom Kemp, Illustrations: Tom Perkins, G 1990. Christopher Matthews, GEE WHIZ 1991. Annet Stirling, wink 1991. Rachel Yallop, R 1991. Professor Werner Schneider, Z 1991, Freda Sack, Roman and Italic Q from new Typeface design. 7 Book Reviews: Colour Calligraphy, David Graham: Colour Calligraphy: Barbara Bundy, Reviewer, Susanne Haines The Origin of the Serif, Edwards M Catich(2nd Edn. Edited by Mary W Gilroy). Reviewer John Nash. Starting Calligraphy, Reviewer Tom Barnard. Reviewer Richard Middleton 8 Letters from Juliet Jeffery on Derek Benney’s review of The Art of Illuminated Lettering and Heraldry by Barbara Bundy. From Rachel Bowden on the nature of the packaged book. From Richard Middleton on the advisability of studying originals (of reproductions of originals) hands in preference to subsequent interpretations of them. 9 Illustration: Timothy Noad, Letters Patent to John Lister Howell Esq.
1 Cover Illustration:Artwork by Eric Gill for a lecture. 2 Illustration:a devotional manuscript, probably Flemish, 15th century. 3 Chairman’s note: John Nash 4 The St Bride Printing Library: article by Rachel Bowden 5 Illustrations accompanying article 1 Moxon’s Mechanic Exercises published in parts 1683-4. 2 Detail from Boethius, De Consolations Philosophiae (Westminster C1478). 3 Detail showing the Paragon italic of Robert Granjoon, cut C. 1560 4 Treatise on the history of wood engraving by the punchcutter and typefounder Simon-Pierre Fournier (1712-68). 5 Printing by Benjamin Franklin 6 Obituary of Paul Standard 1897-1992 by John Nash 7 The Great Book of Ireland:article by John Neilson 8 Illustrations accompanying article. 1 Poem ‘Angle’ by Andrew Elliot, visual artist Brian Maguire, calligraphy by Denis Brown 3 Poems by Anthony Cronin, leaf prints by Anne Madden, calligraphy by Denis Brown. 4. ‘Sign from within’ by Denis Brown. 9 Note on the need for a descriptive catalogue of the inscription work of Eric Gill, welcoming information, historical details or anecdotes: Dr David Peace 10 Illustration:Layout by Eric Gill for a memorial tablet 11 The Making of England: Anglo-Saxon Art and Culture AD 600-900. A British Museum Exhibition reviewed by Jane Dobson. 12 Illustrations accompanying article. 1 The Royal Prayer Book, Mercia early 9th century. 2 The Lindisfarne Gospels decorative carpet page introducing the Gospel of St John. 3 The Ceolfrid Bible: A surviving page written to the order of Abbot Ceolfrid or Monkwearmouth/Jarrow before 716 4 The Vespasian Psalter:King David with his scribes and musicians. 5 The Barberini Gospels:details from decorated opening page of the Gospel of St John 13 The South West Way: James Skinner describes the stages in designing his broadsheet. Illustrated. 14 Book Reviews:Practical Calligraphy, John Nash and Gerald Fleuss, Reviewer, John Woodcock. International Crafts, Edited by Martina Margetts, Reviewer, Pat Russell 15 Letter:From Martin Wenham on views expressed in John Nash’s Chairman’s Notes in The Scribe, Summer 1992. No 53.
1 Cover Illustration:Manuscript book written by Ludovico degli Arrighi 2 Illustration:Lorraine Brady, :.Stars,W.E. Henley 3 Chairman’s Notes:John Nash 4 Illustration, Gareth Colgan, Psalm 130 5 The Making of Two Roman Inscriptions:Part one of a two part study by Richard Grasby. Illustrated, mainly with diagrams 6 Lay Members Day 1992, Lorna Bambury 7 Eight exhibitors, Sandra Grusd, Ruth Bruckner, Elizabeth MacDomnic, Hazel Beney, Ken Vine, Penny Price, Anne Irwin and Ros Pritchard describe how they chose their subjects and designed their pieces for the Lay Members’ Day Exhibition. Illustrated 8 A Visit to some Benedictine Scribes, written by Madelyn Walker in the SSI Record book 1928. Illustration:Facsimile Page 9 Plastic Gesso:John Shyvers looks back on his raised gilding experiments using PVA and acrylic resin gesso. 10 Illustrations: Louise Donaldson. From the Notebook of Robinson Crusoe 11 Book Reviews: A Guide in Western Historical Scripts, Michelle Brown. Explicatio Farmarum Litterarum, Rutherford Aris. Latin Palaeography:Antiquity and the Middle Ages: Bernard Biscoff. Reviewer, Stan Knight 12 Illustrations accompanying reviews: 1 Additional Charter 19801. English Caroline minuscule dated 1508. 2 The Queen Mary Psalter, English Gothic book script dated between 1300 and 1320
1 Cover Illustration: From Christopher de Hamel’s Lecture (see 9). 2 Illustration: Rodney Edwards, Quotation from Charles Dickens 3 Chairman’s Notes John Nash 4 Illustration: Monica Dengo, Quotation from Chief Leather Standing Bull 5 The Making of Two Roman Inscriptions: Part Two of a study by Richard Grasby Illustrated, mainly with diagrams 6 Newly Elected Fellows: Rod Edwards, Illustration: Folding book using texts by Sylvia Plath 7 Ambrose Heal and his love of Lettering: article by Fiona Greenwood 8 Illustrations accompanying article 1 Alfred Fairbank. The XII Months, illustrated by Lawrence Christie 2 Letter from Stanley Morison. 3 Hildegard Schwartz: Die 12 Monate. 4 Dorothy Hutton. A Little Wish, illustrated by the scribe. 5 Irene Bass (latter Irene Wellington) The Company in Heaven and Hell. 9 Making and Selling Manuscripts in the Middle Ages: article by Christopher de Hamel. Illustrated 10 Book reviews Lasting Letters, ed Rosamund McKitterick and Lida Lopes Cardozo. Reviewer John Nash. A Book of Formal Scripts, John Woodcock. Reviewer, Richard Middleton. 11 Letters: from Harry Routledge in support of amateur calligraphy; from Richard Middleton on Sam Somerville declining to accept Honorary Membership of the SSI. 12 Illustration: Manuscript book written by Ludovico dehli Arrighi
1 Cover Illustration: Alphabet by Villa Toots 2 Illustration: Love Letters: Sally Teague. All Love 3 Chairman’s Notes: John Nash 4 The Physical Properties of Steel Nibs: article by Richard Middleton. Illustrated with diagrams 5 Four Illustrations from the Love Letters Exhibition. 1 Richard Middleton, Shakespeare’s Sonnet141 2. Sally Teague, Title from the Exhibition Poster 3. Diane Amarocito, Matilde Urrutia. 4 Annet Stirling, Your innocence haunts me 6 The SSI Associates Scheme: Article by Sue Hufton 7 Illustrations: accompanying article. 1 Kathryn Hinks (Deville) with Alexander Deville, The Healing Wood. 2 Helene Franken, Archaic German Prayer. 3 Penny Price, Poem by the scribe. 4 Gillian Hazeldine, Dies Natalis 5 Teresa Dunstone, Cry of the sedge 8 Development of Scripts up to 800AD : Talk by Michelle Brown: Report by Jane Dobson 9 Illustration accompanying talk: 1 A Charter of Ethelred of Essex dated C686/688. 2 A Full page from the Book f Cerne written in Mercia C820/40. 3. Initial A from Book of Armagh, dated C807. 4. Initial A from the Book of Nunnaminster, a Mercain product of the first half of the 9th century.
1 Cover Illustration: Homage to Edward Johnston by David Howells 2 Illustration: page from one of his books by Villu Toots 3 Chairman's Notes: John Nash 4 Edward Johnston: article on the Ditchling Museum and interview with Hilary Bourne BEM, by Nancy Ouchida-Howells, illustrated 5 Lay Members' Day: notes by Philip Dallman, Christine Farmer, Linda Lewis, Shirley Fountain. Illustrations: 1 Ros Pritchard, Pleiades. 2 Sue Waterhouse, The Seed Shop. 3 Viva Lloyd, Making Good on the M25. 4 Liz Burch, fabric hanging. 6 Thinking of the Words: article by Edward Wates. Illustrations: 3 by Ann Hechle, Be Still Then; Tom Ingmire, Resolution; Irene Wellington, death of Stephen Hopkins; Edward Johnston, Plato's Symposium. 7 The Osmiroid-SSI Diploma Scheme: article by Peter Halliday 8 Villu Toots: obituary; illustrated: by John Shyvers 9 Letters: from Jon Gibbs advising expenditure of the SSI's generous reserves; from Ken Solomons, SSI Treasurer commenting on Jon Gibbs' suggestions; from Carolyn Findell, on technical aspects of SSI lectures.
1 Cover Illustration: Banner by Pat Russell 2 Illustration: Gravestone of Robert Leonard, carved by Nicholas Sloan 3 Chairman's Notes: John Nash 4 Bath with a Friend: article on lettering around Bath and Wells, by Heather Collins. Illustrations: Wells Cathedral Library, 2 x Ms 7, Benedictine Rule, and Communar's Account Roll 1547; Ann Hechle, Roman Baths Museum; Tom Swindlehurst, Arms of Leeds; Norman font at Lullington Church; gravestone of Maurice Bonham Carter attrib. Reynolds Stone; gravestone of Sarah Borland carved by Richard Grasby 5 Newly Elected Fellows 1993: Illustrations of work by Lorraine Brady, Gareth Colgan, Gillian Hazeldine, Timothy Noad. 6 Calligraphy at Leicester: report on course taught by Richard Middleton, by Catherine Holmes; Illustrations: Songs of Wales by David Deer; Advice to Shepherds by Harold Talbot 7 Raised Gilding: Cennini's Method Re-examined: review of Jerry Tresser's book, by John Shyvers 8 Book Reviews: Memorials by Artists by Harriet Fraser; with illustrations of gravestones of Ada & George Tilby, carved by Richard Kindersley, William Simpson, carved by Ieuan Rees, Susan Hoare, carved by Martin Jennings, Charles Goodsman, carved by David Holgate, Elizabeth Ebsworth-Chapman, carved by John Nash. Reviewer: Jeremy Theophilus. Computers and Typography, compiled by Rosemary Sassoon. Reviewer: Ewan Clayton. Calligraphy by Patricia Lovett. Reviewer: John Nash. Calligraphy: the Rhythm of Writing by Satwinder Sehmi. Reviewer: Denis Brown. 9 Illustrations: book by Virginia Porter; quotation from Herbert Dimmel by Denis Brown. 10 Supplement: What is the SSI up to? Article by Donald Jackson, in response to Peter Halliday's article advertising the SSI-Osmiroid Diploma in previous issue (no 59). (NB This supplement was requested by the SSI Committee and is not stapled into the Journal).
1 Cover Illustration: Alun Briggs, The sword is the key of heaven and hell 2 Illustration: Wendy Selby, Take a Letter 3 Chairman's Notes: Wendy Selby 4 Illustration: Donald Jackson, Freedom scroll 5 Reflections on Documents, Computers and the Craft of Calligraphy: article by David Levy. Illustrations: calligraphic broadsheet from Borges' The Adelph, by David Levy; Xerox advertisement. 6 SSI Workshops: article by Judy Zub, with brief notes by Sue Hufton and Paul Lavelli. 7 Illustration: Hitachi Certificate, by Pat Gidney 8 A New Degree in Calligraphy and Bookbinding: article by Ewan Clayton about recent developments at Roehampton Institute. Illustrations: photographs of the rooms at Roehampton; calligraphic broadsheet 'Pedigree of Soan of Goring' by Gerald Fleuss; sheet of sample historical scripts by Ewan Clayton 9 Video review: Gilding for Calligraphers, by Sally Teague. Reviewers: Gerald Fleuss and Patricia Farrell 10 Letters: from Brenda Berman, Rachel Bowden, Caroline Carmichael, Fiona Greenwood, Susanne Haines, Annet Stirling, protesting against Donald Jackson's article in the previous issue; from Denis Brown, on the same subject; from Tom Kemp, on defining the SSI; from Ann Camp, on the original aims of the SSI; from John Woodcock, resigning his Fellowship in protest against the way the Osmiroid Diploma was introduced; from Ieuan Rees, on the damage caused to the SSI by the Osmiroid Diploma. 11 Illustration: Royal Consent, by Donald Jackson
1 Cover Illustration: Foundational Hand structural analysis, by Edward Johnston 2 Illustration: Sue Hufton, Easter Hymn 3 Chairman's Notes: Wendy Selby 4 Calligraphy at Reigate: article by Jon Gibbs describing the vast array of subjects covered by the National and Higher National Diplomas. Illustrations: Fleur-de-lys lozenge, Carole Thomann; To the Glory of God, Judy Barber; the duty of the scribe, Jonathan Lee; Arms of the Master Mariners, Annabelle Brend. Other illustrations of unidentified works. 5 Expressing the Essential: article on Islamic calligraphy of Ahmed Moustafa, by Jeremy Theophilus. Two illustrations. 6 A Calligraphers Craft Award from the Queen Elizabeth Scholarship Trust, by Sally Teague. Photograph of Ruth Boddington receiving the award from HRH The Princess Royal; four example's of Ruth's work. 7 Sharpness, Unity & Freedom, by Gerald Fleuss. Report on an exhibition at Ditchling and Grantham. 3 photographs of Johnston's blackboard demonstrations; work by Donald Jackson, John Nash, Ewan Clayton, Hermann Zapf, Christopher Calderhead, Ann Hechle, Hazel Dolby. 8 Earth Rites, by Sally Teague. Report on an exhibition at Bath. Illustration of poster title by Ann Hechle. 9 Reminiscences, by William Gardner. Notes on the author's career in lettering, heraldry, teaching, and coin design. Illustrations: Presidential sayings; seven volumes of military Rolls of Honour; Durnford School Roll of Honour; Salters' blazon; Salters' achievement; model for 20p coin. 10 Book Review: Calligraphy Step-by-Step, by Gaynor Goffe and Anna Ravenscroft. Reviewer: Rod Edwards
1 Illustration: Quote from Edward Johnston by Christopher Haanes 2 Chairman's Notes: Wendy Selby 3 Eric Gill's Inscriptional Work: article by David Peace. Illustrations: Wall Tablets of Sir F Bridge & of Mary Boulter; a card plate of 1900; No Admittance sign; rubbing of sandstone cross memorial to Elizabeth Fletcher. 4 Recent work from Reigate: Illustrations from the National Diploma course: work by Matthew Clark, Caroline Sawyer, Nathalie Guest, Melanie Watkins. 5 Calligraphy for Reproduction: article by Christopher Haanes. Illustrations: computer images; book-title harmonising with the typeface Bodoni; SSI exhibition logo. 6 The Scribe in Ireland: report on Tim O'Neill's lecture to the SSI AGM, by Gareth Colgan. Illustrations: from Tim's book Airy Plumeflights; the book of Durrow; Trinity College Dublin Ms 1441; Book of Kells. 7 Working with Pigments: article by Tony Curtis. 2 illustrations of Tony's illuminations. 8 Calligraphy: an holistic approach: article by Olive McGarvey. Illustrations of work by Helen Read, Andre Scholes. 9 Book Review: Airy Plumeflights, by Timothy O'Neill. Reviewer: David Graham 10 Letters: from Gerald Mynott & Bernard Whelan, and from Carole Thomann, both on Reigate; from Ann Camp, correcting a misquotation of Brian Walker. 11 Editorial note of the death of David Kindersley
1 Illustration: John Le Brocq plaque, carved by David Kindersley 2 Chairman's Notes: Wendy Selby 3 David Kindersley: Article sharing memories of his father by Richard Kindersley. Illustrations: Photograph of DK; Brook Cottage nameplate; memorials of Sir Hoel Llewellyn & of Fannie Harvey; London Oratory plaque; 'The Worker'. 4 The Millennium Commission: article by John Woodcock on a corporate image. Illustrations: artwork for stationery; slate plaques cut by Sarah More 5 A Day at City & Guilds: article about City & Guilds of London Art School Lettering course, by Elizabeth Rounce. Illustrations: photographs of scenes in the School; work by Ian Thomas, Charlotte Howarth,Rosella Garavaglia, Philip Surey, Suzanne Mackenzie, Donna Munoz, Alvaro Ramirey. 6 Lay Members' Exhibition 1995: photographs of work by Ken Bartlett, John Petty, Don Hutton, Anne Irwin, Manny Ling, James Winstanley, Elizabeth MacDomnic, Georgina Guest 7 Exhibition Selection: note on the selection process for the Celebration of Calligraphy Exhibition, by W.S. 8 Bubblewrap: Poacher turned gamekeeper: article on the importance of proper wrapping for exhibition material, by R.M. 9 Erratum: note from Christopher Haanes 10 Book Reviews: Eric Gill The Inscriptions, by David Peace. Reviewer: Brenda Berman; Dye Plants and Dyeing, by John & Margaret Cannon, illust. by Gretel Dalby-Quenet. Reviewer: Richard Middleton. 11 Tregaskis Centenary Exhibition: review by Polly Morris 12 Video review: Modern Gilding for Calligraphers, by Sally Teague. Reviewer: Derek Benney 13 Letters: from Mary Noble, on teaching evening classes; from Katherine Rodda, on the position of calligraphy within the visual arts.
1 Illustration: Grinstead Church, by Wendy Westover 2 Chairman’s Notes: Wendy Selby 3 Wendy Westover: Abstract Artist: article by Richard Middleton on Wendy and her painting techniques. Illustrations: My Lord of Ely; Fishing Boat; Lower case Inscriptional letters in Hoptonwood stone, and capitals in Slate; letterheading for George Daniel’s; study for a map of Wiltshire; Wimbledon windmill; Maltings, Snape; Fulham Palace gardens. 4 The Manuscripts of Mont St Michel: article by Michael Gullick. Illustration: page from eleventh century Ms book Gregory Avranches 5 Teaching Calligraphy at Cumbria College of Art and Design: article by Dr George Thomson. Illustrations: work by Cherry Skinner, Nicola Willis. 6 The SSI Travelling Exhibition: note on the availability for borrowing of this, by Sally Teague. Illustrations: work by Gillian Hazeldine, Anthony Wood. 7 Advanced Training Scheme Exhibition 1995: illustrations and descriptive notes by the calligraphers of works shown at the 1995 AGM. Work by Janet Mehigan, Anne Cox, Ros Pritchard, Linda Lewis, Lorna Bambury. 8 Lettering at West Dean: notes by five students on the Applied Lettering Courses. Authors: Pat Lund, Doreen Hooper, Carol Ayers, Louis Wint, Linda Martin, Catherine Moore. Illustrations: the weaving studio, and weaving in progress; work by Verona Ginger, Rhonda Webb, Loius Wint, Carol Ayers, Susan Edwards. 9 Book Reviews: The Art of Illuminated Letters, by Timothy Noad. Reviewer: Anthony Wood. Calligraphy: Step-by-Step, by Susan Hufton. Reviewer: Sally Teague. The Hours of Mary of Burgundy, with commentary by Eric Inglis. Reviewer: Timothy Noad.
| ||||
 | ||||
| | | | |
